Praised by critics for her “astounding virtuosic gifts” (Boston Herald), “achingly pure sound” (The Toronto Star), and “impressive technical and interpretive control” (The New York Times), Tricia Park enjoys a diverse and eclectic career as a violinist, educator, writer, curator, and podcaster.

Tricia is the producer and host of the podcast, “Is it Recess Yet? Confessions of a Former Child Prodigy.” She is the recipient of the prestigious Avery Fisher Career Grant, a Fulbright grant, and was selected as one of “Korea’s World Leaders of Tomorrow” by the Korean Daily Central newspaper. Since appearing in her first orchestral engagement at age 13 with the Baltimore Symphony Orchestra, she has performed with the English Chamber Orchestra, St. Paul Chamber Orchestra, Frankfurt Radio Symphony Orchestra, and National Symphony Orchestra of South Africa; the Montreal, Dallas, Cincinnati, Seattle, Honolulu, Nevada, and Lincoln Symphonies; and the Calgary, Buffalo, and Westchester and Naples Philharmonics. Tricia has given recitals throughout the United States and abroad, including a highly acclaimed performance at the Ravinia Rising Stars series. She also performs as half of the violin-fiddle duo, Tricia & Taylor, with fiddler-violinist, Taylor Morris.

Tricia is the founder of the Solera Quartet, the winner of the Pro Musicis International Award and the first American chamber ensemble chosen for this distinction. Acclaimed as “top-notch, intense, stylish, and with an abundance of flare and talent,” the Solera Quartet performed their debut recital at Carnegie Hall’s Weill Hall to celebrate their addition to Pro Musicis’ roster. The Soleras’ debut album, Every Moment Present, features music by Janacek, Mendelssohn, and Caroline Shaw and was hailed by The New York Times as “intoxicating....The quartet’s playing on the recording is sensitive and finely articulated throughout and the sound bright and vivid.”
Other career highlights include Tricia’s recital debut at the Kennedy Center, appearances at the Lincoln Center Festival in Bright Sheng’s The Silver River, her Korean debut performance with the Korean Broadcasting System (KBS) Orchestra and collaborations with composer Tan Dun. As First Violinist of the Maia Quartet from 2005-2011, she performed at Lincoln Center and the 92nd Street Y in New York and Beijing’s Forbidden City Hall and was on faculty at the University of Iowa.

Tricia received her Bachelor and Master of Music from the Juilliard School where she was a recipient of the Starling-DeLay Teaching Fellowship. She has performed chamber music with Pinchas Zukerman, Cho-Liang Lin, Michael Tree, Gary Hoffman, Paul Neubauer, Robert McDonald, and members of the American, Guarneri, Juilliard, Orion String Quartets and Eighth Blackbird. Former teachers include Dorothy DeLay, Felix Galimir, Cho-Liang Lin, Donald Weilerstein, Hyo Kang, and Piotr Milewski.

Passionate about arts education and community development, Tricia is the co-founder and artistic director of MusicIC, a chamber music festival that explores the connections between music and literature. Tricia received an MFA from the Writing Program at the School of the Art Institute of Chicago, where she was a recipient of the New Artist Society Scholarship and was awarded a Writing Fellow Prize. Her writing has been published in Cleaver, Alyss, and F News Magazines and she has been a finalist for contests in C&R Press and The Rumpus. She has taught writing for the Iowa Summer Writing Festival at the University of Iowa and she is also the co-lead of the Chicago chapter of Women Who Submit, an organization that seeks to empower women and non binary writers.

Tricia has served on faculty at The Juilliard School, the University of Chicago, and the University of Iowa. She has also taught masterclasses and clinics at the Peabody Institute of Music, Oberlin Conservatory of Music, the College-Conservatory of Music at the University of Cincinnati, Dartmouth College, the Longy School of Music of Bard College, McGill University, and the Interlochen Summer Arts Academy.

Currently, Tricia teaches creative writing for Cleaver Magazine where she is also a Creative Non Fiction editor and she also maintains a private studio of violin/viola students and writing clients.

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